Charlie tries his best to add some jolt to this slightly stodgy pop tune. And an audible clam by Brian Jones at The opening guitar spirals and the verse melody are pretty.
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Keith, frequent post-Wyman bassist Darryl Jones, and Charlie Watts pull off the rub-your-head-and-pat-your-belly trick of sounding simultaneously coiled and propulsive. Mick finds an interesting incantatory melody for the bridge and outro. Charlie Watts and guest bassist Meshell Ndegeocello are a good team. Mostly because the result sounds like good rockabilly. Oompah-loompah trombone completes the farcical feel. Ronnie and Keith stir up a tense fuss. A question best left to the philosophers. That counts for a lot.
This song would be higher if Jagger came up with a less hackneyed lyrical premise than an affair between an adult and a high-school student. Does Mick Jagger practice playing the harmonica? Which is both almost a cliche from him at this point and maybe also a backhanded compliment. It was a good call. The conga breakdown is rad. I do not miss the days when rock bands took jailbait as standard lyrical subject matter. Black cats! The Devil! Remember CD singles?
The track has a deft rustic blues vibe, with Mick — on vocals and harmonica — and Ron Wood, on slide guitar, playing with easy authority. He shines here; His slide-guitar playing is sly, he tootles impressively on the harmonica. He was more than just a pretty face and a sad ending. The rhythm section handles lightly swinging grooves like this so comfortably, and Jagger shows off how expert he is at harmonica with nicely chattering runs. Stones songs about friendship are charmers. This is a lovely, semi-epic ballad. The band does solid British Invasion motorvating behind him.
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I get it. Deluxe Edition The best of the officially released Exile outtakes is this mid-tempo lament. Wright and Otis Redding both recorded titanic versions of this pleading soul ballad.
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The second half of Tattoo You is all slow songs and all great. The rowdy garage-rock energy that the Stones generate on this Bo Diddley cover, from , can still jurgle your nurgles. Nothing more, nothing less. The music is an effervescent mix of galloping rock and doo-wop backing vocals. The music is funny — jaunty piano, kazoo, and electric dulcimer, the latter two instruments played by the crafty Brian Jones.
Here he applies it to a lovely, yearning melody.
Listen to the way the music on this ballad builds momentum, the way the tempo picks up when the guitar solo kicks in, the way Mick shifts to a growl once the song finds its new tempo. Not many bands can play such a soft tune with so much rhythmic and arranging intelligence.
Charlie plays more fills than usual, lending the track a brawnier punch than was typical for the band during this period. Mentholated sandwiches? Sounds like a case of Dylanitis. Praise be that the music is entrancing, winding blues rock. This is the best bad Rolling Stones song.
Jo Wood: 'It's only rock'n roll' 30 Years Married to a Rolling Stone - Videomuzic
The horn arrangement on this rocker is pulse quickening. An alternative version , released in is also pretty great. There, they turned it into bubbly pop, a bouquet of bongos, autoharp, harpsichord, and marimba. Brian Jones plays a wry dulcimer part. Then something amazing happens, as if the song were shaking off its own cobwebs, and it starts to breathe. An acoustic guitar wriggle here; a groovy Fender Rhodes there. Richards coaxes some wry mojo from his thin vocals, and it all floats on a bed of bluesy backing vocals and saxophone.
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I suspect the glossy production on this song and the album has led to people overlooking it. The atmosphere is perfect junkyard. And Charlie puts a bow on it. The Stones owe Freddy for writing a song they could have so much fun with. Meanwhile, Brian Jones plays gleaming soprano sax off in the background. They knew it, too. Then the philosophical bucolica is shattered by wah-wah hard rock, half-time country funk, and a charging outro. A Stones original from Exile that sounds, thrillingly, like a cover of some obscure blues boogie. Saxophonist Bobby Keys and guitarist Mick Taylor let their solos rip.
Unlike most Keith-sung tunes. I also love the role-reversal sound of Mick singing backup to Keith. The song first appeared on the U. The Stones borrowed it in late Longtime Stones associate Bobby Keys plays a gutsy sax solo. A Robert Johnson cover. Spectral in its original incarnation, the song is turned by the Stones into something full and rocking. KISS does a good cover. Charlie does amazing things on the hi-hat, Brian Jones adds eerie mellotron, and Keith and Mick sleaze it up with glee.
Pure Hobbesian rock and roll: nasty, brutish, and short. Evil blues, the nastiest sounding song on Exile. Mick sings with weary grit and wild desperation, and Taylor clamps down hard on the grinding slide riff that cycles throughout the song. Of course he does. The following year, after a long period of being iced out by Mick and Keith, he was asked to leave the band. That same year, he was found dead at the bottom of a pool. Want to Read saving….
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In this wild, behind-the-scenes portrait of one of the biggest rock bands in history, Jo Wood comes clean about her three decades as the girlfriend and eventually the wife of Rolling Stones guitarist Ronnie Wood. This startlingly honest, laugh-out-loud memoir vividly describes life on tour, in the studio, at the legendary parties—and every raucous moment in between. From te In this wild, behind-the-scenes portrait of one of the biggest rock bands in history, Jo Wood comes clean about her three decades as the girlfriend and eventually the wife of Rolling Stones guitarist Ronnie Wood.
From teenage model to hard-partying rock 'n' roll devotee, through motherhood, marriage, breakdown, and the challenge of starting over again, Jo Wood has had a roller-coaster ride of a life. At the age of sixteen, Jo burst onto the British modeling scene and became a fixture at London's most glamorous parties.watch
‘It’s Only Rock n Roll: 30 Years Married to a Rolling Stone’ by Jo Wood [REVIEW]
A few years later, just twenty-two years old and a single mom, she met Ronnie Wood and her life changed forever. Holding nothing back, Jo paints an astonishing picture of the sex, drugs, booze, groupies, and—above all—the fun that filled her thirty years as a member of the Stones' inner circle. Telling never-before-heard stories about what life on the road with the Stones was really like, she offers intimate portraits of the band's legendary cast of characters, including Mick Jagger, Keith Richards, Jerry Hall, and Patti Hansen.
Jo also opens up about her family life with Ronnie: their passionate love affair, the demands of being a mother by day and a wild child by night, and eventually coping with Ronnie's increasingly difficult behavior as his addictions consumed him. For the first time, she reveals her heartbreaking account of what happened when Ronnie left her for an eighteen-year-old waitress, explaining how she was able to forgive, live without bitterness or regret, and find new happiness as an entrepreneur and organic beauty expert.
Including never-before-seen photographs from Jo's personal collection, It's Only Rock 'n' Roll is a compelling piece of rock 'n' roll history from a woman with a backstage pass and front-row seat. Enchanting, candid, and moving, this page-turning fairy tale of fame and fortune has the best of the era's many euphoric and reckless moments within its pages.
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Get A Copy. Hardcover , pages. Published May 21st by It Books first published March 1st More Details Other Editions 9. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about It's Only Rock 'n' Roll , please sign up.